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Author Topic: For the Musicians among us !  (Read 14954 times)
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Ed W1XAW
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« Reply #25 on: December 06, 2007, 10:20:32 PM »

  It seems that everyone on this forum is a professional guitarist like Ellen and Sam, an amateur guitarist or at least a former amateur guitarist.   


I guess this is where I put my hand up and be counted.  Although I'm fairly obsessed with music nobody would ever mistake me for a pro.  I started 5 years ago and its now my most time consuming hobby.   No vintage Les Paul here, just some cheap Chinese stuff:

Squier Strat and acoustic
Dean EVO (actually Korean)
Squier Jazz Bass
Cheap no-name fiddle
Cremona Upright Bass
Rogue mandolin

I switch around between instruments quite a bit, usually playing mandolin about a half hour each morning and playing electric or acoustic guitar in the evening.   This last year the guitar was largely replaced with the upright bass because I joined a fiddle orchestra and really didn't know how to play the upright. I had to scramble to learn 30 plus tunes before our concert season.  We are in the off-season now so I'm torturing the family with the acoustic guitar.   We did record a CD but I think folks would sooner pay me to not play than play so I'm still an amateur.   I played electric guitar with some folks for about a year in a rock jam band up in the wilds of Woolwich, Maine but it never went anyplace (its never supposed to).  I play a lot of traditional music as well as rock and roll.  The fiddle group plays French Canadian, Cape Breton, Irish and Scottish music.  It's called Fiddleicious and it's directed by Don Roy, sometimes called the dean of Maine fiddling. 

For those of you who have played professionally, I'd be curious if you recorded and the names of the bands.

73 de Ed W1XAW   
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AF9J
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« Reply #26 on: December 06, 2007, 11:05:06 PM »

It seems that everyone on this forum is a professional guitarist like Ellen and Sam, an amateur guitarist or at least a former amateur guitarist.   

Quote without comment:

http://www.netfunny.com/rhf/jokes/98/Jan/babemouth.html

73, Bill W1AC


I read it Bill.  Awww!  That was cute!!  Kids really do say the darndest things!

73,
Ellen - AF9J
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AF9J
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« Reply #27 on: December 06, 2007, 11:19:52 PM »


For those of you who have played professionally, I'd be curious if you recorded and the names of the bands.

73 de Ed W1XAW   

Nah never recorded. They've always been just local bands.  I've never been full blown proffessional (where my living has been solely from music), just semi-pro.  Still, I do it for the love of making music.  Past a certain point, I get more enjoyment out of playing with people, than just by myself.  I don't know, maybe it's my ensemble musical upbringing.  I was playing in brass bands several years before I took up guitar in 1979.  Still, there is a limit to this mindset for me. As I've  mentioned, playing with other people, is no fun for me, if I don't like/get into the music.

Also, while many musicians like jam sessions, I have mixed feelings about them.  Oftentimes I find them to be too chaotic, with nothing but noise being made and/or no songs being played.  Or, everybody at the jam session only knows a few songs in common, and because you haven't really gelled as a group, you hack your way through those songs either over and over, or in long extended jams.  That gets old, and painful.  But, I will admit that I've gone to reunion jams held by old bandmates, and had a blast ripping through sets of the old material.

73 & play on,
Ellen - AF9J

P.S. - here's a photo of my present guitar rig. 

1.  The guitar is a Squier Affinty Telecaster (I call her Candy  for the Candy Apple Red color),with a high output, overwound GFS single coil pickup in the bridge position.   

2.  The amp (I just got recently for chump change) is a 100W Peavey Supreme head.  It's a switchable, 2 channel amp (clean & mondo distortion).  Yes, it's solid state.   My days of breaking my back lugging tube amps are pretty much over with.  It's sort of the solid state version of Peavey's 5150 tube amp.

3.  The speaker cab is an older Crate 2x12" bottom with 70W Celestions in it, I got cheap last year.  I find living with 4x12" bottoms to be a pain.  Anyway, 2x12" bottoms have almost as much bass response.

4.  The yellow stompbox on top of the amp is a reissue of a 70s DOD overdrive pre-amp. With the gain my amp has, I doubt I'll be using it much anymore.  I'm not a huge user of processed guitar as it is. My only effects are a Morely Flanger, and a cheapo Danelectro chorus pedal.  I usually run a pretty dry signal.

I took a vacation day tomorrow.  I'm hoping to give my guitar and amp a workout.  Oh yeah, the little Crate practice amp in the corner of the photo, is my old practice amp that I gave to a friend of mine.  I borrowed it back from her a few weeks ago.   I hope to give it back to her this weekend.


* Guitar Setup Dec. 6, 2007.jpg (203.88 KB, 1600x1200 - viewed 332 times.)
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W3SLK
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« Reply #28 on: December 07, 2007, 09:16:11 AM »

Buddly said:
Quote
Did some stuff for a friend on a Christian Jazz/Blues album and do some studio work around Northern Ohio now n' then.

I'd like to hear some of that one of these days Buddly Wink Other than the Strat Highway One, I have an original issue Ibanez (very heavy) I nice little Fender Champ 30 and an awesome Polytonics Baby Brute.
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Mike(y)/W3SLK
Invisible airwaves crackle with life, bright antenna bristle with the energy. Emotional feedback, on timeless wavelength, bearing a gift beyond lights, almost free.... Spirit of Radio/Rush
AF9J
Guest
« Reply #29 on: December 07, 2007, 10:37:47 AM »

Hi Mike,

Don't you mean a Poly-Tone Baby Brute?  I don't think Poly-Tone is in business anymore.  For a while, their amps were very popular with the jazz crowd.  BTW, what model of Ibanez do you have?    70s & even early 80s Ibanezes are starting to go for some serious bucks.  They were very well made guitars that also sounded good.  Unlike  some of the cheapo Teisco, et. al Jap Junk of the 60s, by the 70s, most Japanese guitars were very well made.  As a matter of fact, Ibanez, Yamaha, and Tokai got in some serious hot water for making unlicensed copies of Les Pauls, Strats, etc. in the 70s, that were so accurate, the only thing that looked different was the brand name on the headstock, and sometimes the headstock shape.  They were of better quality than the the insturments Gibson and Fender were making at the time.

73,
Ellen - AF9J
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W3SLK
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« Reply #30 on: December 07, 2007, 03:59:57 PM »

Ellen said:
Quote
Don't you mean a Poly-Tone Baby Brute?  I don't think Poly-Tone isn't in business anymore.  For a while, their amps were very popular with the jazz crowd.  BTW, what model of Ibanez do you have?

Yeah that's the one.  Perfect size for sittin' and jammin'. The Ibanez is a heavy bastard pseudo Stratocaster copy with humbucker pickups and a four bolt neck. The frets are raised and there is some hardware missing. Unfortunately, all the hardware is metric Tongue So to restore it would mean using standard hardware. The store where I buy my equipment from said it would be better off hanging on a wall than trying to restore it. Cry
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Mike(y)/W3SLK
Invisible airwaves crackle with life, bright antenna bristle with the energy. Emotional feedback, on timeless wavelength, bearing a gift beyond lights, almost free.... Spirit of Radio/Rush
AF9J
Guest
« Reply #31 on: December 07, 2007, 04:44:39 PM »

Hi Mike,

Hmmmm Strat Style?  Is it a Roadstar from the late 70s/early 80s per chance?  Try some of these links for Ibanez parts:


https://store.ibanez.com/store/comersus_listCategoriesAndProducts.asp?idCategory=30

http://www.ibanezrules.com/parts.htmhttp://www.guitarpartscentral.com/

http://www.guitarpartscentral.com/

Ellen - AF9J
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